Ecstatic Wax

A modest library of music-related topics, essays, humor, and interviews

Thursday, September 24, 2020

Demo Joe #2: Cringe vs. Kramer

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Today, Demo Joe turns his attention to John Salvo and his band of noise-mongers Cringe. For those unfamiliar with the name John Salvo, he w...
Friday, September 11, 2020

Demo Joe: Robert Roth and Jim Carroll

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I recently started contributing to a Facebook community page called the Northwest Demo Tape Society in which contributors unearth and spotli...
Thursday, June 11, 2020

Golden Smog: Summer with the Radar Bros.

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Summer is once again upon us, and I can’t think of a better soundtrack for these lazy, hazy, sun-burned days than the music of Southern Cali...
Thursday, June 4, 2020

From the Archives: What Deaner Was Talkin' About — A Conversation with Ween's Dean Ween

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Photo credit: Danny Clinch This one goes back a few years, 21 in fact. In 1999, I interviewed guitarist Mickey Melchiondo, better known...
Thursday, August 8, 2019

David Berman, Silver Jews and Purple Mountains, 1967-2019

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"Like a message broadcast on an overpass, all my favorite singers couldn't sing. All my favorite singers couldn't sing." G...
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Tuesday, December 19, 2017

Super-misogynistic-expialidocious!

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Herb Jeffries (name misspelled on the cover), Devil Is a Woman (Golden Tone, 1957) No, I'm pretty certain the so-called devil woma...
Wednesday, November 15, 2017

The Devil and Robert Johnson

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Sic him, hellhound! Robert Johnson reincarnated. I wonder if this asshole made a deal with the devil, too. Judging from his astonishing...
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About Me

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Joe Ehrbar
I've written lots of words (some of them good even) on the subject of music for more than a decade. Among the esteemed publications to feature my byline are The Spokesman-Review, The Seattle Post-Intelligencer, Matte, Backfire, Revolver and The Rocket--where I was Managing Editor and Editor from 1998-2000. I don't write as much or as often as I should, so don't come knocking for new content every day. But stop by periodically for some new, original writings and a whole host of mildewy works from my archives. Please note: This blog is kind of my digital playground, a place to test out ideas, explore random thoughts, or invent dumb, fictional (and sometimes funny) stories about real musicians or recordings. In other words, don't take what you read here too seriously.
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