Ecstatic Wax: Merrill Womach

If you’re a record collector, particularly one who haunts thrift stores, garage sales and swap meets seeking out the bizarre and obscure, you’re probably familiar with the pair of Incredibly Strange Music books by RE/Search Publications from the 1990s (out of print). These books feature long Q&As with numerous record collectors—including Jello Biafra, Lux Interior and Poison Ivy of the Cramps and Billy and Miriam Linna of Norton Records—who show off their records while sharing interesting stories and anecdotes about the artists who made them. Both volumes are invaluable repositories of music from the fringes, particularly between the 1950s and 1970s. And by fringes we’re talkin’ about private press records, ill-conceived novelties, assorted kitsch, Jesus-freak music, third-tier rockabilly, outsiders—anything meeting the incredibly strange description.

Among the thousands of records and/or musicians covered in the two ISM volumes, one artist in particular stoked my curiosity. His name’s Merrill Womach, a gospel singer and former undertaker from Spokane.

Besides possessing an extraordinary voice, Womach also owns an extraordinary face, the result of third-degree burns sustained in a plane crash in 1961. What might have snuffed out the lives of others served to energize Womach’s. Legend has it that Merrill sang all the way to the hospital after being pulled from the flaming wreckage. Naturally (or supernaturally), Merrill credited his survival to Divine Intervention. Following a long spell in the hospital where he endured painful skin grafts and facial reconstruction, Merrill emerged a new man, more determined than ever to share his God-given gift—not to mention his man-made face—with the world.

And so it would be that for the nearly 20 albums he recorded between 1967 and 1985, Merrill would never shy away from making his miraculous face the focal point of their covers. On one album, In Quartet (shown below), four Merrill Womachs appear, striking poses in their polyester lounge-lizard disco suits—one Merrill for each of the four octaves of his glorious tenor.

Judging by his Wikipedia page, Womach is alive today and resides in Spokane. He’s 84 and still making music—albeit canned Muzak for funeral homes. He was an undertaker after all. (Surely, there’s a joke in there somewhere.) What follows are some of the Merrill Womach records I’ve acquired over the years, including one I picked up just last week from St. Vincent DePaul in Lynnwood, Wash. As you’ll see, one of the records, My Song, depicts Merrill before the plane crash. (Actually, it shows 42 Merrills—a full chorus!) Merrill Womach records aren’t all that hard to come by; you can always find a dozen or so listed on eBay—at pretty reasonable prices, too. But if you hunt around, you’ll likely find some at the junk shop for a $1 or less.

Also, for your enjoyment, you can watch a video here, taken from a documentary about Merrill’s accident and recovery called He Restoreth My Soul. In this scene, Merrill sings one of his signature songs, “Happy Again,” to a roomful of hospital patients. Is it just me or would this song make a decent flipside of a Scott Walker single? Maybe not.

My Song (1960) -- Acquired from Value Village in Ballard. This is Merrill Womach one year before his face went up in flames.

I Believe in Miracles (1967) -- Purchased at St. Vincent DePaul in Lynnwood. This is Merrill Womach's triumphant comeback album. The illustration does not show Womach inside plane. You'll just have to take him at his word that he was singing the Lord's praises. Believe it or not this is the second pressing of this album -- I also own the first, which was issued by a different label.

A Time for Us (1969) -- I don't remember where I got this one. On this album, Merrill gives the gospel a rest to bring us the good news of show tunes and weepy love ballads.

Surely Goodness and Mercy (1970) -- I think this came from a Texas thrift store where it was acquired by my friend DH.

I Stood at Calvary (1973) -- Purchased from eBay. Little-known fact, but Merrill was there at Jesus's crucifixion. This 2000-year-old painting proves it. Merrill was also believed to have introduced polyester and pleather to the nascent Christian movement.

Happy Again (1974) -- Found at the Goodwill in Lynnwood. This is the soundtrack to the aforementioned He Restoreth My Soul and is probably the most famous Womach record cover.

Mine Eyes Have Seen the Glory... (1976) -- I don't remember where I found this one. I love the way Merrill's purple fly-away collar matches the scenery.