Their name is Bastard, although Orphan seems more apt a
handle—for why would any sensible parent lay claim to this mustachioed sausage party? Thankfully,
Bastard’s story is a short one. Conceived backstage at Toto concert in Brussels
in the spring of 1975, Bastard was the product of a rather strange tryst
involving the roadies of opening bands, Bulge and Fanny, a men’s room handicap
stall, Robert Plant’s prosthetic, and a female centaur AWOL from a trashy
sci-fi paperback. Nine months after the curtain fell, Bastard, propelled by a
drummer named Toto (told you!), slithered and oozed onto the pages of Kerrang! (three full years before the
magazine began publishing) and into the back-alley cabarets of Hamburg, where, in
a moment of true serendipity, they successfully propositioned the very man who
awarded them a record deal. The resultant album is the only one emblazoned with
the Bastard name and the band’s four-headed dog logo (so many heads, so few
balls). The record is notable but for one thing, and that thing has nothing to
do with the music on it (no one will actually admit to dropping the needle on
this plastic turd, myself included). See the sleazoid second from the left with
the porn ’stache and the patches on his jeans? Yeah, that’s right; he tore those swatches from the AIDS quilt and stitched ’em to his crotch. Fuckin' bastard!
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1 comment:
The chick next to the Derek Smalls on the far right is almost do-able.
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